I'm well aware that my work is an acquired taste at best. Dark, surrealist, even nightmarish at times and frequently sexually explicit and homoerotic...it's not a still life with flowers or agrarian landscape for sure. I posted a slew of films (especially those with a high sexual content) on the venerable site Xtube. For those who do not know, Xtube is like Youtube for pornography. At the same time I was installing a video installation piece in a mainstream gallery as part of TJ Norris' critically acclaimed Spread Ego exhibit . PLACE, is a gallery located in the atrium of an upscale urban shopping center in Portland. My work was deemed not only appropriate for such a venue, I was hand-picked by Norris to be among the thirty three artist showing in the exhibit, for which I created the original piece THE ARTIST MODEL .
So where do complaints about my work come from? ...Xtube of all places. It seems in the realm of Amateur anal fisting and spy-cam gang bangs, critiquing the media's use of violence in the name of religion is out of bounds....
The video piece in question is controversial to be sure, Jesus Fucking Christ is a re-cut trailer for Mel Gibson's anti-semitic torture porn flick, The Passion of The Christ. It is cut to the soundtrack of a gay porn film, showing the choreographed violence of Gibson's snuff film to be a sublimation of sexual aggression. Look- I know people don't click on Xtube for art and philosophy, but I think it's an interesting way to insert some thought into a time-killing pornado. More often than not, screenings of Jesus Fucking Christ have brought tons of laughs and shocked applause more than offense. People tend to get the joke.
The piece also was posted with the original artist's statement.
Jesus Fucking Christ sets to discuss the pornography of violence in modern culture. By creating a dialogue between the Christian iconography and extremist violence used in the 2004 film The Passion of The Christ and the 2008 gay adult film The Porne Ultimatum. This work is not about offending anyone's religious beliefs, but rather calling into question the intent and use of violence and hypocrisy by the filmmakers and distributors who condone censorship of nudity and sexuality but hold in esteem the art of violence, punishment and dismemberment. Penetration is penetration whether with a penis or knife, and blood or semen--both are bodily fluids--is spilled copiously in the name of entertainment."
Intentional or not.....it is offensive. You do have your right to express your opinion, but then so do I. I enjoy some of your other work, but this one is a bit over the top for me.
In the the digital realm posting an re-posting comments and commentary, critique and criticism is the currency by which value is quantified. The more comments the more validity and value a subject, the more important the author feels. We tabulate "likes" and responses as indicators that we have worth as digital citizens. Facebook, Twitter, Tumblr, Blogger, Wordpress, Live Journal, Myspace: these interconnected no-man's-lands are the new frontier of self-expression and the home of modern cultural criticism. Anthropologists will look at cached files and pages rather than some holy codex years from now. We have glorified the mundane to the exalted place of liturgy. The proletariat has a voice again, these would all be good--no, great--things, and they are in a small part. However, the lack of cohesive education and the laziness of the average "digital citizen" have stalled any revolution.WTF??
If there is a revolution, at least in the United States of America, it is the embracing of willful ignorance. It is turning on higher education. It is attacking the arts as elitist with a vehemence not seen since the 1950s. It has spilled over from classrooms with altered text books, to campuses with "intelligent design," to Facebook pages for pets and 140 character tweets of meals and moods, to conservative responses on sites where your critic has pictures of his exposed anus while decrying our work as sacrilegious in the name of Jews and Christians alike.
Welcome to our bright new tomorrow.
Welcome to the revolution in reverse.