contemporary art, culture and criticism from a Jewish-Eskimo in the Pacific Northwest.
Dorian Gray (dir. Oliver Parker -2009)
The Picture of Dorian Gray stands as the lone novel in the impressive cannon of iconoclast Oscar Wilde. And it's a masterpiece by all accounts. A dark horror-drama of decadence, moral decay, art, and murder. George Sanders, Donna Reed and a young Angela Lansbury starred in an acclaimed film version in 1945. There have been sporadic re-tellings since including Matthew Bourne's recent ballet. British director Oliver Parker is a veteran of Wildean adaptations having helmed film versions of both The Importance of Being Earnest as well as An Ideal Husband (and by no means a stranger to hedonistic depravity having had bit roles as an actor in Clive Barker's seminal films Hellraiser, it's sequel Hellbound: Hellraiser 2, and a pivotal role in Barker's ambitious cult classic Nightbreed) and now turns his attention to the Gothic horror of Dorian Gray (2009). In adapting the novel first time scribe Toby Finlay jettisons much of the great dialogue, deletes characters, pour over lurid sex and violence and launches an extended third act complete with newly added character/love interest (a really solid performance by Rebecca Hall) in the early Jazz age.
Christopher Isherwood's A Single Man directed by Tom Ford )
Parker's Dorian Gray is a sumptuous gorgeous-to-look-at period film with great costumes, amazing sets and impeccable acting from some of the best British character actors around. The effects are quite good and in the case of a maggot emerging from a tear duct (don't ask) - truly repulsive. Some of the sex and gore is a tad repetitive, though we do get moments of Dorian's bisexuality throughout the film which are have been omitted in previous film versions. Despite one somewhat silly attempt at a boo effect, Dorian Gray is a taut atmospheric horror film that builds with a creeping tension that thrives on it's souless blank-slate faced leading man who gives a rather conflicted performance as he wrestles with his realization that absolute power corrupts absolute. All-in-all highly recommended for fans of smart literate horror and fans of great literary adaptations alike.
Sadly the film got only a limited release in the United States so hopefully this solid adaptation will find it's audience on DVD and Blu-ray.
Posted by Andrew klaus-Vineyard at Saturday, September 04, 2010
Labels: Ben Barnes, Ben Chaplin, bisexual, body horror, clive barker, Colin Firth, Dorian Gray, gothic horror, horror, LGBT, literature, oliver parker, The Picture of Dorian Gray
Subscribe to: Post Comments (Atom)
Post a Comment